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    • SUBMIT YOUR WORK

Personal Goals Poster Nove 2014

11/6/2014

 
Tasks- 1. Finish creating your personal goals poster (see previous post below for assignment details)  -  
2. Go to FILE>SAVE FOR WEB> and save your GOALS POSTER as a .JPG at 80% quality

3. GO to Class Website (Weebly) to SUBMIT YOUR WORK.......
for A grade of 20 points possible.
4. Go to the school's E-Portfolio website & open your PTP
5. Once Mr Shelor approves, submit your Goals Poster as a "BEST WORK".
6. Go to your class PERSONAL PORTFOLIO WEBSITE (WEEBLY) and add this goals poster to your MY WORK page--write a short paragraph explaining what you created, and what you learned.
save da date.pdf
File Size: 1596 kb
File Type: pdf
Download File


Tutorial Time- Photoshop's Character Palette 
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Take a few seconds of your precious time students, look closely and `LEARN the VOCABULARY of the Character Palette.....This will HELP you as you lay out the TEXT on your goals poster...

KEY POINTS ARE:
1. LEADING- "the space between lines"  >> 
This text adjustment is CRITICAL to good design...

TIP> You want the lines of text to be close but be careful of text ascenders and descenders creeping into the next line>>>>>>>>>>>>>>>

2. TRACKING- "the space between all the characters (text) that you highlight-
Letter-Spacing, also called tracking, refers to the amount of space between a group of letters to affect density in a line or block of text.

TIP- This is a good area to experiment-you can make some cool effects by changing the TRACKING of the text

3. KERNING- "the space between 2 characters (text)
Kerning is a term applied specifically to the spacing adjustment of two particular characters to correct for visually uneven spacing. 

FINAL THOUGHTS (like they matter )
 Use caution with both kerning and tracking. Tracking is very often wildly overdone, 
Kerning is seldom done enough.


k......Keep It Real......aloha Mr S.


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    We create graphic design and media projects using the latest coolest stuff we can get into our lab here on the Big Island of Hawaii

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